Baby movie review (2023)
Director Sai Rajesh presents a refreshing love story in “Baby,” which showcases a mix of ideas – some good, some problematic, and some not fully realized. The film centers around the bubbly and lovable Vaishnavi (Vaishnavi Chaitanya), who is head over heels for Anand (Anand Deverakonda). Their affectionate relationship takes an interesting turn when Vaishnavi moves to an upscale college, while Anand works as an auto driver to make ends meet. New friends and the charming Viraj (Viraj Ashwin) add further complexity to Vaishnavi’s life, raising concerns about the future of their love.
At its core, “Baby” appears to cater to both insecure individuals afraid of change and those who criticize women seeking happiness on their own terms. The film alternates between these themes, leaving viewers to question whether the director tried too hard to cater to a broad audience while remaining non-judgmental. Despite this, the movie delivers a solid dose of emotional drama that resonates with audiences.
The lead characters, Vaishnavi and Anand, are beautifully nuanced but not without their flaws. Vaishnavi, though assertive in standing up to those who take her for granted, sometimes makes questionable decisions that may not entirely convince viewers. Anand, on the other hand, shows great sensitivity in understanding his girlfriend’s feelings, yet falls prey to anger-induced impulsive actions. Viraj’s character lacks depth and clear motivations, but the overall portrayal of these characters’ grey shades adds to the film’s richness. However, it is essential for the Telugu film industry to move away from toxic ideas regarding coping with heartbreak.
The film’s strength lies in the outstanding performances by the cast and Vijay Bulganin’s soulful music. The chemistry between the lead actors, Anand Deverakonda and Viraj Ashwin, is captivating, and they pour their hearts into their roles. Anand’s performance, in particular, leaves a lasting impact on the audience. Vaishnavi’s stellar debut on the silver screen enhances the movie’s charm. The music seamlessly complements the emotions portrayed on screen, making the experience all the more immersive.
Despite its flaws, “Baby” manages to keep viewers engaged with its well-written scenes and unpredictable plot twists. Sai Rajesh succeeds in initiating conversations around various themes depicted in the film, inviting viewers to contemplate its messages long after leaving the theater.
In conclusion, “Baby” is a love story that entertains, challenges, and sparks debate among its audience. While it may leave viewers with mixed feelings, the film’s ability to provoke thought and discussion makes it a worthwhile watch. Sai Rajesh’s effort to explore complex themes and emotional depth is commendable, even though some areas could have been better refined.
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