Tiku Weds Sheru movie review (2023)
Bollywood often pulls back the curtain to reveal the stories that unfold behind the glamour, and ‘Tiku Weds Sheru’ is no exception. The film takes us on a roller-coaster ride through the lives of two aspiring artists trying to make it big in the cutthroat world of showbiz. Sheru, portrayed by Nawazuddin Siddiqui, exudes confidence but struggles to break through, resorting to a life on the fringes that he’s desperate to leave behind. Avneet Kaur‘s Tiku, on the other hand, is a spirited poet from Bhopal, determined to escape a suffocating family and ascend to stardom.
Their paths cross when Sheru, posing as a film financier, becomes Tiku’s ticket to Bollywood. In an unexpected twist, they enter a marriage of convenience to secure a dowry for Sheru. This union forms the core of the film, chronicling their journey through the glitzy labyrinth of tinseltown and their transformation into an unconventional family. However, their lives take a dark turn as Sheru turns to drug peddling, and Tiku’s pursuit of fame exposes her to the sinister underbelly of the industry.
While the film promises a captivating narrative, director Sai Kabir struggles to maintain a consistent flow, leading to a lack of cohesion between its dual themes. The story attempts to explore the struggles of junior artistes and the complexities of an unconventional love story, yet often falls short of delivering a compelling balance. Notably, Sheru’s wholehearted acceptance of Tiku’s pregnancy from another man feels somewhat contrived and fails to resonate convincingly.
Nawazuddin Siddiqui’s portrayal of Sheru is a tour de force, effectively capturing the boisterous demeanor of a junior artiste while effortlessly delivering lines like “Hum jab bhi milte hain dil se milte hain, warna khwab mein bhi mushkil se milte hain.” Avneet Kaur impresses with her versatility, embodying both the fierce, determined woman and the vulnerable soul shattered by her husband’s hidden life. One standout scene sees her desperate grasp for food on a film set, revealing the harsh reality behind the promises she was sold.
However, the film stumbles at the starting line, struggling to engage viewers until the closing moments. The characters fail to evoke empathy, leaving the audience somewhat detached from their plights. While Nawazuddin’s performance is a saving grace, the inclusion of a dance number where he dresses as a woman feels unnecessary and detracts from the overall narrative.
In conclusion, ‘Tiku Weds Sheru’ promises an exploration of the Bollywood underbelly and the struggles of aspiring artists, but the execution falls short of delivering a consistently compelling storyline. Despite this, Nawazuddin Siddiqui’s remarkable performance and Avneet Kaur’s promising potential make the film watchable. As the final credits roll, the film leaves a desire for more depth and connection with its characters, ultimately offering glimpses into the highs and lows of a world that captivates audiences worldwide.
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